London Calling

Price Range:

  • Limited edition of 8 pieces + 2 A.P. + 2 Prototypes
  • Numbered & signed pieces


Dimensions & Materials

Styled with

Intersection Mirror - David Dubois - Miscellaneous - Galerie kreo

Intersection Mirror

David Dubois

Konstantin Grcic

Konstantin Grcic (1965) was trained as a cabinet maker at The John Makepeace School (Dorset, England) before studying Design at the Royal College of Art in London. Since setting up his own practice Konstantin Grcic Industrial Design (KGID) in Munich in 1991, he has developed furniture, products and lighting for some of the leading companies in the design field. Amongst his renowned clients are Authentics, BD Ediciones, ClassiCon, Flos, Magis, Mattiazzi, Muji, Nespresso, Plank, Serafino Zani, Thomas-Rosenthal and Vitra...

London Calling  - Konstantin Grcic - Miscellaneous
Chest S - Konstantin Grcic - Miscellaneous - Galerie kreo
Konstantin Grcic
Jetdog Table - Konstantin Grcic - Miscellaneous - Galerie kreo
Konstantin Grcic
Volume M - Konstantin Grcic - Miscellaneous - Galerie kreo
Konstantin Grcic

kreo in motion

‘kreo in motion’ is a series of short films re-imagining pieces of the gallery through the eye of talented motion designers and animators! Every month a series of 3 animations will be posted at regular intervals. Each series will be dedicated to the creative practice of a different motion designer - blank canvas to …

London Calling by Rohan Mudgal

Rohan Mudgal’s animation gives a nod to our London space by focusing on Konstantin Grcic’s recognizable piece ‘London Calling'. Inspired by the iconic Routemaster double-decker buses that used to frequent London, the piece pays homage to the narrow staircase at their back which connected the lower and upper decks. "I vividly remember countless travels across town, sitting upstairs in the front row, and watching London’s big city lights as they passed by below me. Of course, LONDON CALLING is not about bus travel. However, the title evokes fond memories I have for the city I once lived in” K.G. In Rohan’s animation, as the oak elements circle, it feels almost as though we are walking up the stairs to the top deck to see the view.

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