Guillaume Bardet
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As a child, he used to draw, as he still does. On paper tablecloths, newspapers, napkins and in sketchbooks. He invents forms, as he once did in Rouen, where he was born in 1971, and where he lived until he was fifteen. On arriving in Paris, he kept on drawing, got bored in lessons, attended sculpture classes and dreamt of finishing secondary school so that he could finally do what he liked. His first year studying architecture was hardly convincing, but in 1993, when he began attending the École Nationale Supérieure des Arts Décoratifs (ENSAD), Paris, he knew that he’d found the right place. No longer the poor student, he shot to the top of the class. And justifiably so: he took an interest in everything, enjoyed everything. That’s where he met Jean-Marie Massaud, with whom he teamed up immediately after graduating. Then he decided to set up on his own. The bursary he was awarded by the French Academy in Rome enabled him to produce his first major project: “Mobilier Immobile” (“Immobile Furniture”), nine atypical marble pieces...

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